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than half
the pieces reached their final destination. Dinah's disagreeable work
environment turns deadly, when Dinah discovers the corpse of a DDD&W
employee crushed beneath the firm's CEO's fallen bookcases. Dinah, first on
the scene, is also first on the police list of suspects. Dinah's husband,
Jonathan Hathaway, strives to get Dinah out of the frame, but someone is
working against his efforts. When another DDD&W employee is killed, Dinah is
again the prime suspect.
Meanwhile, Coleman finds that keeping her publishing company will be harder
than acquiring it, when ArtSmart and First Home become targets
of a hostile takeover attempt. But much as her magazines mean to Coleman,
her cousin Dinah is more important, and Coleman must put her business
interests on hold while she struggles to help Jonathan clear Dinah's name.
Like its predecessor, RESTRIKE, FATAL IMPRESSIONS combines
compelling suspense with sharp insights into the high-priced worlds of New
York business and art collecting with Coleman and Dinah as sleuths and
guides.
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